Feuer und Flamme sein - traduction vers Anglais
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Feuer und Flamme sein - traduction vers Anglais

1911 FILM DIRECTED BY WALTER FRIEDMANN
Der Mueller und sein Kind; Der Muller und sein Kind

Feuer und Flamme sein      
fireworks, striking display of light and sound produced by explosive devices; explosive fight or argument, display of temper
sturm und drang         
  • A silhouette of the theatre director [[Abel Seyler]]
  • [[Johann Anton Leisewitz]]
  • Johann Georg Hamann
PROTO-ROMANTIC MOVEMENT IN GERMAN LITERATURE AND MUSIC
Sturm und drang; Sturm-Und-Drang; Storm-and-Stress Period; Storm and Stress; Sturm-und-Drang; Sturm and drang; Storm and urge; Sturm and Drang; Sturm Und Drang; Storm And Stress; Sturm and Drang Society
Sturm und Drang, nationalistische Literaturbewegung in Deutschland Ende des 18ten Jahrhunderts die die Literatur als Ausbruch menschlicher Emotionen sah im Widerstand zu Formalismus in Geist und Gesellschaft
end of the game         
1975 FILM BY MAXIMILIAN SCHELL
Getting Away with Murder (1975 film); Murder on the Bridge; Deception (1975 film)
das Ende des Spiels, das Spielende

Définition

UND
United Nations Disaster Relief Organization

Wikipédia

Der Müller und sein Kind

Der Müller und sein Kind (The Miller and His Child) is a silent film released in 1911 and is the oldest Austrian drama film to survive in its entirety. It was produced by the Österreichisch-Ungarische Kinoindustrie, which later in 1911 changed its name to the Wiener Kunstfilm-Industrie. The same company had filmed the same plot the previous year, but no footage from that earlier version survives.

The film is based on the late Romantic supernatural melodrama by German playwright Ernst Raupach, a very popular work that was first performed to great acclaim in 1830 at the Burgtheater in Vienna. Thereafter it was performed in many theatres at Halloween well into the 20th century. The film had its premiere on 21 October 1911 in Vienna.

According to the producers the film had a length of around 600 metres, on 35 mm nitrate film. The drama was filmed in 19 scenes, and at a projection speed of 16 frames per second, common in early silent films, lasted 21 minutes and 50 seconds. Although the Filmarchiv Austria, which preserves the film, has 150 metres less, the action of the film is nevertheless complete, although the ends of the individual reels are too abrupt, and the end of scene 19 is missing.

Technical direction was by Joseph Delmont, later a director of animal films and crime films, who among other things operated the camera by hand crank.